The BBC has an
extraordinarily high number of good looking female presenters. It is evident
that when it comes to the job of a TV presenter, ugly males are discriminated
against at a ridiculous level. Only joking.
Behind the joke, though,
there is an element of truth - television companies appoint presenters based on
what they think the viewers want. If they favour good looking women then ugly
men are being discriminated against. If they favour intelligence then
unintelligent people are being discriminated against. But in protesting about
this what we're actually doing is protesting about viewers' tastes, because it
is viewers' tastes that contribute most to television programmes.
Viewers prefer an
intelligent person hosting Newsnight; but they don't mind unintelligent people
in the Big Brother household. Naturally, Newsnight and Big Brother have largely
different audiences - but that is precisely why viewers' tastes work
differently for each show.
I hadn't planned on
blogging anything to do with the recent Jeremy Clarkson affair, but it can't be
left unsaid that even if his straight-talking, non-pc libertarian politics
was anathema to the BBC, his sacking was actually down to his repeated bad behaviour for
which most other people would have also been sacked.
But while we've seen the emergence
of a heated debate between Clarkson's supporters (who wish he hadn’t been
sacked) and the many opponents (who are glad he has been), the big issue that
underpins it is the very existence of a state-funded BBC imposed on everyone in
the UK
through a compulsory licence fee. State-funded television is a guaranteed way
to ensure that the corporation will not primarily be driven by providing the
best TV for its viewers.
Suppose Café Nero suddenly
came under state ownership, where the need to provide desirable products and a good
service was alleviated by the guaranteed flow of taxpayers' money. Do you think Café
Nero would then be better or worse? It would obviously be worse, because all
the market pressures to consistently perform well and give people what they
want (or lose out to competition) would diminish.
Similarly, being guaranteed by state-funding, the BBC is less alert to the market pressures that other companies have to consistently provide popular TV. The current director of BBC television Danny Cohen (pictured next to Clarkson above) has done something akin to a Café Nero executive who decides to remove one of the top selling coffees from the menu - a move that would guarantee to upset and elicit action in the Café Nero shareholders.
It's not first
time Danny Cohen has done this. He's the chap who demanded that all-male BBC
panel shows must be discontinued. He's also the chap who insisted that the
BBC's comedy was too middle class. He's also the chap who publicly asserted
that the BBC needed much more diversity in its programmes.
Being state-funded, the little notion of letting the
viewers decide what and who they want to watch is pretty alien to the BBC. To
see why, imagine a time when television watching is even more sophisticated
than it is now. In the future all viewers' experience involves paying only for
the packages or channels or individual programmes they want to watch. In other
words, what you watch and what you pay for would be entirely dictated by your
personal preferences. Instead of some priggish left wing bien pensant director
asserting how many males are on a panel, how middle class the comedies are, how
many black or white people there are in each drama, and which presenters should
be sacked, the public would vote with their most powerful tool - by staying
tuned, by changing channels, or by switching off.
Given that I'm a mandatory license fee payer, I don't
actually have any issue with Clarkson's sacking in this particular case. After punching someone, the BBC felt they had to act
tough on Clarkson and make an ethical decision, even if it means losing a
popular presenter and a popular TV show to another channel (probably SKY TV). But
I hold that view largely because I don't really like Top Gear or have much interest
in Clarkson. If the BBC sacked someone you or I really loved watching, and
denied us the opportunity to vote with our remote control, I think we'd feel
the dissonance a bit more.
In all likelihood, most
people who support Clarkson's sacking are probably people who aren't that
bothered about watching him and Top Gear, whereas most people who wish he hadn't
been sacked are probably people that do like watching him and Top Gear. And
that little fact alone gives perfect exhibition to the extent to which the BBC
is in need of market forces.